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Index

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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Back Cover

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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Acknowledgments

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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Notes

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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Part 5. Women Musicians in the Reconstruction Era

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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Part 4. The Civil War

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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10. She takes up music as a profession: Career Women

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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9. Many shades of caste and kind: The Civil War and the Public Gaze

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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6. Of that ilk: Foreign Music Teachers and Genteel Pupils

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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7. A remarkable accomplishment for one of the gentle sex: Other Professionals

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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Title Page, Copyright, Dedication

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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List of Illustrations

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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Part 3. Scientific Music and Professional Musicians

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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3. 'Home, Sweet Home!' with brilliant variations: Melody

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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Part 1. Social Diversity among Amateur Women Musicians

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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1. The circle in which you move: Gentility, Music, and White Women

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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Part 2. Repertory

  • Source: Unbinding Gentility : Women Making Music in the Nineteenth-Century South.

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1 The Lowndes Family and Harriet’s Music Collection

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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Cover

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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Title Page, Copyright, Dedication

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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3 Vocal Music in French

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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Introduction

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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Acknowledgments

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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PART ONE

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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Notes

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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14 The Civil War and Beyond

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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Editorial Notes

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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12 Louisa Rebecca’s Antebellum Music Collection

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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2 Vocal Music in English

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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Bibliography

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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10 Other Music That Might Have Belonged to Henrietta

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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11 The McCord Family

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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PART TWO

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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9 After 1857: Paris (again), Germany, and Switzerland

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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6 The Aiken Family and Henrietta’s Music Collection

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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13 Europe in 1858–1859

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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4 French Connections

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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8 Henrietta’s Music, 1850–1857

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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7 Henrietta’s Earliest Music and First European Journey

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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5 Harriet Lowndes Aiken’s Opera Collection

  • Source: Charleston Belles Abroad : The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.

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Title Page, Copyright Page

  • Source: Beyond Boundaries : Rethinking Music Circulation in Early Modern England.

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Index

  • Source: Beyond Boundaries : Rethinking Music Circulation in Early Modern England.

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  • 1-50 of  97 results for ""Candace Bailey""