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'Empfinden?': Dieses ist vielleicht das bescheidene Lob der Gelehrsamkeit—Die Ästhetik der Empfindsamkeit in der Musik oberdeutscher Klöster zur Zeit Sebastian Sailers (1714–1777)

Subjects: Germany -- northern Germany -- religious music -- monasteries -- compared with southern Germany monasteriesGermanyGermany -- northern Germany -- religious music -- monasteries -- compared with southern Germany monasteries -- northern GermanyGermany -- northern Germany -- religious music -- monasteries -- compared with southern Germany monasteries -- religious musicGermany -- northern Germany -- religious music -- monasteries -- compared with southern Germany monasteries -- monasteriesGermany -- northern Germany -- religious music -- monasteries -- compared with southern Germany monasteries -- compared with southern Germany monasteriesGermany -- northern Germany -- religious music -- monasteries -- compared with southern Germany monasteries -- 18th c.; aesthetics -- Germany -- Empfindsamkeit -- relation to religious musicaestheticsaesthetics -- Germany -- Empfindsamkeit -- relation to religious music -- Germanyaesthetics -- Germany -- Empfindsamkeit -- relation to religious music -- Empfindsamkeitaesthetics -- Germany -- Empfindsamkeit -- relation to religious music -- relation to religious musicaesthetics -- Germany -- Empfindsamkeit -- relation to religious music -- 18th c.; Enlightenment -- Germany -- southern Germany -- concept of Empfindsamkeit -- relation to religious musicEnlightenmentEnlightenment -- Germany -- southern Germany -- concept of Empfindsamkeit -- relation to religious music -- GermanyEnlightenment -- Germany -- southern Germany -- concept of Empfindsamkeit -- relation to religious music -- southern GermanyEnlightenment -- Germany -- southern Germany -- concept of Empfindsamkeit -- relation to religious music -- concept of EmpfindsamkeitEnlightenment -- Germany -- southern Germany -- concept of Empfindsamkeit -- relation to religious music -- relation to religious musicEnlightenment -- Germany -- southern Germany -- concept of Empfindsamkeit -- relation to religious music -- 18th c.

  • Source: Hexen – Herren – Heilige: Die geistige Welt des Prämonstratensers Sebastian Sailer (1714–1777). Published by: Heimat- und Museumsverein 1908 e.V, Weißenhorn, 2018. Pages: 204-275.,

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Die musikalische Huldigungsvertonung (Applausus musicus) in den oberösterreichischen Stiften im 18. und 19. Jahrhundert

Subjects: Austria -- Oberösterreich -- religious music -- monasteries -- applausus musicusAustriaAustria -- Oberösterreich -- religious music -- monasteries -- applausus musicus -- OberösterreichAustria -- Oberösterreich -- religious music -- monasteries -- applausus musicus -- religious musicAustria -- Oberösterreich -- religious music -- monasteries -- applausus musicus -- monasteriesAustria -- Oberösterreich -- religious music -- monasteries -- applausus musicus -- applausus musicusAustria -- Oberösterreich -- religious music -- monasteries -- applausus musicus -- 18th-19th c.; religious institutions -- Austria -- Oberösterreich -- monasteries -- applausus musicusreligious institutionsreligious institutions -- Austria -- Oberösterreich -- monasteries -- applausus musicus -- Austriareligious institutions -- Austria -- Oberösterreich -- monasteries -- applausus musicus -- Oberösterreichreligious institutions -- Austria -- Oberösterreich -- monasteries -- applausus musicus -- monasteriesreligious institutions -- Austria -- Oberösterreich -- monasteries -- applausus musicus -- applausus musicusreligious institutions -- Austria -- Oberösterreich -- monasteries -- applausus musicus -- 18th-19th c.

  • Source: Studien zur Musikwissenschaft: Beihefte der Denkmäler der Tonkunst in Österreich, 53, 2007, 111-203.

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