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    • Abstract:
      The article focuses on the "crossover" art of South African galleries as well as examples of "crossover" artists in the music and film industries. The article discusses South African art galleries as a place where the exotic becomes the familiar as well as the way in which art attempts to fit into a cultural context. The article goes on to discuss this issue in other genres, including blaxploitation films and music labels such as Motown, Def Jam and Death Row Records.