CONSTRUCTIONS AND TRANSGRESSIONS OF MUSIC IN THE SERIES OF HISTORICAL BACKGROUND. (English)

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  • Author(s): Otero, Teresa Piñeiro
  • Language:
    Icelandic
  • Source:
    Revista de Comunicación 'Vivat Academia'; 9/15/2018, Issue 144, p95-110, 16p
  • Additional Information
    • Alternate Title:
      Construcciones y transgresiones de la música en las series de ambientación histórica. (Spanish)
      CONSTRUÇÕES E TRANSGRESSÕES DA MÚSICA NAS SÉRIES DE AMBIENTAÇÃO HISTÓRICA. (Portuguese)
    • Publication Year:
      2018
    • Author-Supplied Keywords:
      Music
      Musical selection
      Original composition
      Quality TV
      Scoring
      TV series
      Vintage fiction
      Composición original
      Ficción de época
      Música
      Selección musical
      Series televisivas
      Composição original
      Ficção de época
      Séries televisivas
      Seleção musical
      EnglishSpanishPortugueseLanguage of Keywords: English; Spanish; Portuguese
    • Abstract:
      Music plays an essential role in the viewing experience of the viewer. Although in the audiovisual story the image is the conscious focus of attention, music provides a series of effects, sensations or meanings that add value to the narrative and are projected as part of the visual discourse. Among the functions of audiovisual music stands out the one of creating convincing atmospheres of time or place. This function of "local color" acquires particular relevance in the series of epoch due to its possibility of giving realism to its setting. At a time when television productions have increased their technical and artistic quality, the selection / creation and use of music has acquired a special projection in the construction of the audiovisual story. In this sense, the object of the present work has been to make an approximation to the use of music in the previous time series, especially in regard to pre-existing themes. An approach that has allowed to point out different trends in the design of the scoring paying attention to their fidelity. [ABSTRACT FROM AUTHOR]
    • Abstract:
      La música desarrolla un papel esencial en la experiencia de visionado del espectador. Aunque en el relato audiovisual la imagen es el foco consciente de la atención, la música aporta una serie de efectos, sensaciones o significaciones que aportan valor a la narración y se proyectan como parte del discurso visual. Dentro de las funciones de la música audiovisual destaca la de crear atmósferas convincentes de tiempo lugar. Esta función de "color local" adquiere particular relevancia en las series de época debido a su posibilidad de dotar de realismo a su ambientación. En un momento en que las producciones televisivas han incrementado su calidad técnica y artística la selección/creación y empleo de la música ha adquirido una especial proyección en la construcción del relato audiovisual. En este sentido el objeto del presente trabajo ha sido el de efectuar una aproximación al uso de la música en las series de época, especialmente en lo que se refiere a los temas preexistentes. Una aproximación que ha permitido señalar diversas tendencias en la concepción del scoring atendiendo a su fidelidad. [ABSTRACT FROM AUTHOR]
    • Abstract:
      A música desenvolve um papel essencial na experiência da visão do espectador. Embora no relato audiovisual a imagem é o foco consciente da atenção, a música aporta uma série de efeitos, sensações ou significações que aportam valor a narração e se projetam como parte do discurso visual. Dentro das funções da música audiovisual destaca a de criar atmosferas convincentes de tempo e lugar. Esta função de "cor local" adquire uma particular relevância nas series de época devido a sua possibilidade de dotar de realismo a sua ambientação. Em um momento em que as produções televisivas incrementaram sua qualidade técnica e artística a seleção/criação o emprego da música adquiriu uma especial projeção na construção do relato audiovisual. Neste sentido o objetivo do presente artigo foi efetuar uma aproximação ao uso da música em series de época, especialmente no que se refere aos temas pré-existentes. Uma aproximação que permitiu assinalar diversas tendências na concepção da scoring atendendo a sua fidelidade. [ABSTRACT FROM AUTHOR]
    • Abstract:
      Copyright of Revista de Comunicación 'Vivat Academia' is the property of Facultad de Ciencias de las Informacion de la Universidad Complutense (Espana) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
    • ISSN:
      15752844
    • Accession Number:
      132192246
  • Citations
    • ABNT:
      OTERO, T. P. CONSTRUCTIONS AND TRANSGRESSIONS OF MUSIC IN THE SERIES OF HISTORICAL BACKGROUND. (English). Revista de Comunicación “Vivat Academia”, [s. l.], n. 144, p. 95, 2018. Disponível em: http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=edb&AN=132192246. Acesso em: 21 set. 2020.
    • AMA:
      Otero TP. CONSTRUCTIONS AND TRANSGRESSIONS OF MUSIC IN THE SERIES OF HISTORICAL BACKGROUND. (English). Revista de Comunicación “Vivat Academia.” 2018;(144):95. Accessed September 21, 2020. http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=edb&AN=132192246
    • APA:
      Otero, T. P. (2018). CONSTRUCTIONS AND TRANSGRESSIONS OF MUSIC IN THE SERIES OF HISTORICAL BACKGROUND. (English). Revista de Comunicación “Vivat Academia,” 144, 95.
    • Chicago/Turabian: Author-Date:
      Otero, Teresa Piñeiro. 2018. “CONSTRUCTIONS AND TRANSGRESSIONS OF MUSIC IN THE SERIES OF HISTORICAL BACKGROUND. (English).” Revista de Comunicación “Vivat Academia,” no. 144 (September): 95. http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=edb&AN=132192246.
    • Harvard:
      Otero, T. P. (2018) ‘CONSTRUCTIONS AND TRANSGRESSIONS OF MUSIC IN THE SERIES OF HISTORICAL BACKGROUND. (English)’, Revista de Comunicación ‘Vivat Academia’, (144), p. 95. Available at: http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=edb&AN=132192246 (Accessed: 21 September 2020).
    • Harvard: Australian:
      Otero, TP 2018, ‘CONSTRUCTIONS AND TRANSGRESSIONS OF MUSIC IN THE SERIES OF HISTORICAL BACKGROUND. (English)’, Revista de Comunicación ‘Vivat Academia’, no. 144, p. 95, viewed 21 September 2020, .
    • MLA:
      Otero, Teresa Piñeiro. “CONSTRUCTIONS AND TRANSGRESSIONS OF MUSIC IN THE SERIES OF HISTORICAL BACKGROUND. (English).” Revista de Comunicación “Vivat Academia,” no. 144, Sept. 2018, p. 95. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=edb&AN=132192246.
    • Chicago/Turabian: Humanities:
      Otero, Teresa Piñeiro. “CONSTRUCTIONS AND TRANSGRESSIONS OF MUSIC IN THE SERIES OF HISTORICAL BACKGROUND. (English).” Revista de Comunicación “Vivat Academia,” no. 144 (September 15, 2018): 95. http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=edb&AN=132192246.
    • Vancouver/ICMJE:
      Otero TP. CONSTRUCTIONS AND TRANSGRESSIONS OF MUSIC IN THE SERIES OF HISTORICAL BACKGROUND. (English). Revista de Comunicación “Vivat Academia” [Internet]. 2018 Sep 15 [cited 2020 Sep 21];(144):95. Available from: http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=edb&AN=132192246