MAURICE RAVEL: LE TOMBEAU DE COUPERIN – PART I. THE REMINISCENCE OF BAROQUE COMPOSITIONAL TECHNIQUES.

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  • Additional Information
    • Author-Supplied Keywords:
      Baroque
      Compositional techniques
      Piano
      Prelude Fugue
      Ravel
      Suite
      Toccata
    • Subject Terms:
    • Abstract:
      According to Alfred Cortot, the suite Le Tombeau de Couperin could be divided into two main units: the first part presented below represents the structural arch of the suite. Each analyzed part represents a specific compositional technique of the Baroque era. The fusion between the elements of the French baroque keyboard music and the characteristics of the modern piano music transforms this piece into a real and unique masterpiece. By analyzing the Prelude, the Fugue and the Toccata we have the opportunity to understand the vision about the French baroque music created by the artists of the 20th century. [ABSTRACT FROM AUTHOR]
    • Abstract:
      Copyright of Studia Universitatis Babes-Bolyai, Musica is the property of Babes-Bolyai University, Cluj-Napoca, Romania and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
    • Author Affiliations:
      1University Assistant Ph.D. “Gheorghe Dima” National Music Academy, 25, Ion I. C. Brătianu Street, Cluj-Napoca.
    • ISSN:
      1844-4369
    • Accession Number:
      10.24193/subbmusica.2020.1.13
    • Accession Number:
      144791396
  • Citations
    • ABNT:
      OLÁH, B. E. Maurice Ravel: Le Tombeau De Couperin – Part I. The Reminiscence of Baroque Compositional Techniques. Studia Universitatis Babes-Bolyai, Musica, [s. l.], v. 65, n. 1, p. 183–193, 2020. DOI 10.24193/subbmusica.2020.1.13. Disponível em: http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=asn&AN=144791396. Acesso em: 24 out. 2020.
    • AMA:
      OLÁH BE. Maurice Ravel: Le Tombeau De Couperin – Part I. The Reminiscence of Baroque Compositional Techniques. Studia Universitatis Babes-Bolyai, Musica. 2020;65(1):183-193. doi:10.24193/subbmusica.2020.1.13
    • APA:
      OLÁH, B. E. (2020). Maurice Ravel: Le Tombeau De Couperin – Part I. The Reminiscence of Baroque Compositional Techniques. Studia Universitatis Babes-Bolyai, Musica, 65(1), 183–193. https://doi.org/10.24193/subbmusica.2020.1.13
    • Chicago/Turabian: Author-Date:
      OLÁH, BOGLÁRKA ESZTER. 2020. “Maurice Ravel: Le Tombeau De Couperin – Part I. The Reminiscence of Baroque Compositional Techniques.” Studia Universitatis Babes-Bolyai, Musica 65 (1): 183–93. doi:10.24193/subbmusica.2020.1.13.
    • Harvard:
      OLÁH, B. E. (2020) ‘Maurice Ravel: Le Tombeau De Couperin – Part I. The Reminiscence of Baroque Compositional Techniques’, Studia Universitatis Babes-Bolyai, Musica, 65(1), pp. 183–193. doi: 10.24193/subbmusica.2020.1.13.
    • Harvard: Australian:
      OLÁH, BE 2020, ‘Maurice Ravel: Le Tombeau De Couperin – Part I. The Reminiscence of Baroque Compositional Techniques’, Studia Universitatis Babes-Bolyai, Musica, vol. 65, no. 1, pp. 183–193, viewed 24 October 2020, .
    • MLA:
      OLÁH, BOGLÁRKA ESZTER. “Maurice Ravel: Le Tombeau De Couperin – Part I. The Reminiscence of Baroque Compositional Techniques.” Studia Universitatis Babes-Bolyai, Musica, vol. 65, no. 1, June 2020, pp. 183–193. EBSCOhost, doi:10.24193/subbmusica.2020.1.13.
    • Chicago/Turabian: Humanities:
      OLÁH, BOGLÁRKA ESZTER. “Maurice Ravel: Le Tombeau De Couperin – Part I. The Reminiscence of Baroque Compositional Techniques.” Studia Universitatis Babes-Bolyai, Musica 65, no. 1 (June 2020): 183–93. doi:10.24193/subbmusica.2020.1.13.
    • Vancouver/ICMJE:
      OLÁH BE. Maurice Ravel: Le Tombeau De Couperin – Part I. The Reminiscence of Baroque Compositional Techniques. Studia Universitatis Babes-Bolyai, Musica [Internet]. 2020 Jun [cited 2020 Oct 24];65(1):183–93. Available from: http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=asn&AN=144791396